A film researched and then abandoned by legendary film director Stanley Kubrick is the basis for a new exhibition in Coventry.
Former Turner Prize nominated artists Jane and Louise Wilson’s film installation Unfolding the Aryan Papers is showing at the Herbert, as an addition to the Caught in the Crossfire exhibition about how artists deal with conflict and reconciliation.
Sometimes you find fantastic gems in the most unlikely of places.
On an old industrial estate back from a row of pizza takeaways is the debut exhibition, Handsome Gentlemen, from a bunch of “Coventry creatives”, the Hearts Gang.
Officially the address is Unit 7 of Fargo Creative Village, off Far Gosford Street in Coventry. The exhibition is on from 2-8pm, and if you go after dark watch out for the trip hazards and careering vehicles on your way to find the Unit across a dark car park. But it’s worth it!
It seems at the moment if there’s one gallery having an opening night in Coventry, then there’s two.
A few weeks ago it was the Mead and The Herbert, and the Herbert also clashed with the Coventry Transport Museum last week. Last night it was the turn of the Roots Gallery and Lanchester Gallery Projects to double date, but as they’re so close together it was possible to get to both, as quite a few of us proved, as familiar faces were spotted in both, quaffing a couple of glasses of wine.
First on my schedule was the LGP, which is staging On the Desperate And Long-Neglected Need For Small Events. Arriving a bit after 6.30pm, I found I’d missed this small event, though luckily it was repeated at 7pm.
A life that promised riches but was then followed by the horrors of imprisonment lays behind the works of art on show now in Warwickshire.
Souren Mousavi’s exhibition at Gallery150 in Leamington features varied works focusing on the female form, her Persian heritage and the fight for freedom.
Geoffrey Clarke’s cross, now out of store and on display in the undercroft.
Coventry Cathedral its staging a special exhibition to draw attention to its wonderful artworks as part of the 50th anniversary celebrations for its consecration.
The exhibition, Journey Into the Light, has been well put together, with 17 points of special interest highlighted around the cathedral, naming the artist behind that piece, or the thinking behind it by Basil Spence, the cathedral architect.
An exhibition of luscious pop-art influenced works by a Coventry-grown talent has gone on show in the city.
Mini Padam went to Foxford School then did a foundation year at Coventry University before heading off to follow her interests with a degree in graphic design and illustration followed by an MA in illustration at Camberwell College of Arts.
Now working on her own designs and teaching graphic design, illustration and photography in a college, she’s back in Coventry for a big show of her own.
She works in screen printing and digital illustration, and there are several clear themes and influences emerging. Ice cream vans pop up in several images, and the show, which is upstairs at Browns Independent Bar in Coventry city centre, is called Ice Cream and Synth.
However Mini says of the ice cream vans: “I just like the shape”, though the important role of an ice cream van in Assault on Precinct 13, is also important to her: “I’m obsessed with films and music. ” (more…)
A new art gallery has opened in an old space in Coventry city centre.
Roots gallery is in what people have known for years at the glass box or glass showcase opposite Browns and The Herbert in Earl Street. It was owned by the council and pretty much anyone could exhibit there as long as they paid the low hire cost.
The result was a bit of a mish-mash – some very good, some interesting discoveries, lots average and some quite poor.
A change of policy has resulted in the decision to support a Coventry University graduate, Sian Conway, in taking over the space for a year with a properly curated programme of exhibitions. Officially, the plan is to build on the gallery’s existing links with community groups, local artists and students, while adding a new vision and making it a “dynamic space for contemporary visual art”.
Graham Sutherland, Dark Hill – Landscape with Hedges and Fields, 1940 (watercolour, gouache on paper), 48.9 cm x 69.8 cm. Swindon Museum and Art Gallery © Estate of Graham Sutherland
In Coventry Graham Sutherland is forever known for the huge tapestry he designed, Christ in Glory in the Tetramorph, for the new Coventry Cathedral.
George Shaw is currently best known in Coventry for being born in the city, for immortalising Tile Hill in his paintings and being a Turner Prize nominee.
Now their names are linked in An Unfinished World, an exhibition of Graham Sutherland works on paper on show at Modern Art Oxford, which George has curated.
The exhibition’s private view was just five nights after the Turner Prize announcement, won by Martin Boyce. On December 5, after the ceremony in Gateshead, George took his mum back to her hotel, had a cup of tea with her and then went to the pub. He was soon back in Oxford for the opening of the Sutherland exhibition. The story of the exhibition began some time ago.
IN The Herbert gallery in Coventry the paintings are on the wall, and the final preparations are being made for George Shaw: I woz ere to open to the public.
It’s the first big home-town exhibition for George, born in the city in 1966, and he’s here overseeing the work and admitting to feeling a little anxious about how it will be received.
“It’s all right doing this, thinking about it before I came to do it wasn’t. Without Rosie’s [Addenbrooke, senior exhibitions and events officer] enthusiasm and commitment it wouldn’t have happened. It was something I was avoiding. You are always afraid of doing something you haven’t done before.
“I was slightly anxious the reality of the situation would take over from the work. In many ways it has but not in a negative sense.”
A FRUSTRATION at no longer being able to buy the art he wanted inspired Damien Isaak to start creating his own works at the age of 40.
He’s now staging his second solo exhibition after the first over a year ago was a huge success.
Damien moved to Leamington six years ago, and runs his own rather unusual business there – as an animal psychologist. But there’s not many animals in his art – in this showing at Gallery150 in Leamington I only spotted some rather lovely geometrically-shaped angel fish in Think Tank.