Douglas Gordon & Philippe Parreno Zidane, A 21st-Century Portrait Courtesy Anne Lena Films and Naflastrengir 2006
I must be going soft in my old age, three more exhibitions seen in three days, and I liked all three.
They will be reviewed at a later date in the Coventry Telegraph, but I wanted to give you early notice they’re there and worth seeing.
AN ARTIST is holding her second solo exhibition in Coventry, telling a story familiar to many young women.
Katie O’s exhibition Minor Malfunctions, Psychology of the Machine, is on show at The Lock at the Canal Warehouse beside the Canal Basin. It tells the story of a young girl setting out through life, beset with worries and indecisions, feeling scared by the – in this work – scary monster looming over her, and then here getting some guidance from the friendly robot. Dreams seem out of reach, life is empty and she wonders if it will ever change.
SO today the Coventry City football season ended fairly ignominiously, but in The Herbert fans were still wandering around reliving the club’s most glorious day.
The largest exhibition on at the Coventry city centre gallery at the moment is From Highfield Road to Wembley Way, celebrating the Cup victory 25 years ago. There are pictures of all the team, as they are now, and a brief biog mostly stating what they’re now up to which is fascinating.
There’s the story of how Coventry reached the final, and lots of cabinets of memorabilia from the time, including the Coventry Evening Telegraph front page about the victory, and some bizarre items, such as a knitted set of all the players!
Fans are invited to write down their memories and put them up on the wall along with any pictures from the time. There’s some great reminiscences and some amusing 1980s looks in the photos. I wonder if the many fans for whom the day is a drunken blur now regret missing so much. For others it sounds like they had the time of their life.
Coventry City fans shouldn’t miss this one, and if some new visitors stop to have a look around the fantastic Coventry and Warwickshire watercolours exhibition, and the photos from Gaza in the Peace and Reconciliation Gallery that will be even better.
AN EXHIBITION of landscapes by an artist known for his portraits has revealed lots more varied work than Gainsborough is normally known for.
Gainsborough painted his 18th century portraits for a living, but apparently once said he was “sick of portraits” and wanted to paint landscapes “in quietness and ease”. The exhibition Gainsborough’s Landscapes: Themes and Variations at Compton Verney art gallery is the first for 50 years devoted to his landscapes, and brings together lots of works from public and private collections.
Above, Leytonstone 1995, 1999, 2012, by Laura Oldfield Ford
There is a Place…. where you can find works by six artists in a thematic show which brings together some great scenes of urban emptiness.
The New Art Gallery at Walsall is showing There is a Place…until April 14, and it’s a place well worth visiting.
Coventry-born George Shaw contributes both Humbrol-painted paintings, and more unusually, etchings, of Tile Hill. There’s a huge pile of rubble behind a fence, showing the end of a pub where his mother apparently once worked, and another empty space, and in The End of Time, a path leading to where a pub building once stood.
The 12 short walks are etchings of scenes from around the area, showing scenes that are becoming familiar if you’ve seen more of his paintings and watercolours – garages, bleak paths, but green tree-filled areas too, and poignantly fence posts with no fence in between. They’re small, detailed and show his versatility.
If you’re in London in the next couple of weeks, don’t miss Building the Revolution: Soviet Art and Architecture 1915-1935, at the Royal Academy.
It might sound more like an essay title, but it’s a fascinating exhibition in the top-floor Sackler Rooms at the gallery.
Graham Sutherland, Dark Hill – Landscape with Hedges and Fields, 1940 (watercolour, gouache on paper), 48.9 cm x 69.8 cm. Swindon Museum and Art Gallery © Estate of Graham Sutherland
In Coventry Graham Sutherland is forever known for the huge tapestry he designed, Christ in Glory in the Tetramorph, for the new Coventry Cathedral.
George Shaw is currently best known in Coventry for being born in the city, for immortalising Tile Hill in his paintings and being a Turner Prize nominee.
Now their names are linked in An Unfinished World, an exhibition of Graham Sutherland works on paper on show at Modern Art Oxford, which George has curated.
The exhibition’s private view was just five nights after the Turner Prize announcement, won by Martin Boyce. On December 5, after the ceremony in Gateshead, George took his mum back to her hotel, had a cup of tea with her and then went to the pub. He was soon back in Oxford for the opening of the Sutherland exhibition. The story of the exhibition began some time ago.
Timing is everything, and you can’t predict the future.
So five years ago to the week when Rosie Addenbrooke, The Herbert’s Senior Events and Exhibitions Officer asked George Shaw about staging an exhibition in his home city she couldn’t have known the opening of the exhibition would coincide with his nomination for the Turner Prize.
So just 18 days before he finds out whether he has won or not, the exhibition finally opened tonight, with hundreds of people there to quaff champagne and celebrate.
George’s paintings focus on the Tile Hill estate where he grew up, and have been shown in London, hugely-successfully at the Baltic in Gateshead, and elsewhere – but never in such number in Coventry,
Coventry University’s MA students are showing off their work in exhibitions at two venues this week.
The Lanchester Gallery at the School of Art and Design, and the fifth floor of the building, plus The Herbert art gallery up the road are both housing a collection of screenings, installations and performances.
So where is the true birthplace of lawn tennis – Royal Leamington Spa or Edgbaston in Birmingham? Those with a view on the matter could bat that debate about all day, and it’s something that’s looked at in a wonderful exhibition at the Barber Institute in Birmingham.
It seems that Thomas Gem and his friend Jean Batista Augurio Perera played on Perrera’s lawn in Edgbaston in 1859 – but both moved to Leamington in 1872 where they formed Leamington Lawn Tennis Club with two local doctors.
Gem himself drew a sketch of their first match as a foursome, at the Manor House Hotel, at the first club in the world formed specifically for playing lawn tennis. The exhibition features a photograph of the sketch which was presented to the Manor House in 1957 and sadly subsequently ‘lost’.
As the original club is no longer going, the Edgbaston Archery & Lawn Tennis Society is now the oldest surviving lawn tennis club in the world – but on the strength of this exhibition and accompanying catalogue I can forgive Birmingham its boasting.
Private View II 