Echoes of the seaside feature in the new exhibition at The White Room Gallery in Leamington.

Entitled Land and Sea, the show in the Regent Street gallery includes a lot of works by Philip Goddard, with some works by other artists too.

Birmingham-born Goddard studied at The Slade School of Fine Art and Chelsea School of Art, and has been a White Room favourite since the gallery opened 15 years ago. In his collection in this exhibition, The Constructed Landscape, he uses found objects from along the Kent coast where he once lived, paint and other materials to conjure up images of a landscape or coastal scene.

There are small bits of wood, and lots of mesh metalwork, sometimes painted over or painted through, with some constructions looking like part of a boat, or a distant boat afloat. There is lots of blue and yellow paint, and constructed landscapes in box frames. There are monoprints again using the mesh pattern, and some with a dark stripe to one side looking like a flag. They are refreshing to look at and definitely bring a feel of the sea to the Midands.

Other artists in the exhibition include Adrian Bradbury, who studied art at Goldsmiths and went on to work for Bauer, DuPont and others, and who is showing a set of prints entitled Coast, which feature layers of colour.

Tim Southall is a regular exhibitor at The White Room Gallery, and is showing some more of his drawings in this show. It also features works by his great uncle, Sir Frank Job Short, who was born in 1857 in Stourbridge and trained as an engineer, but his passion was for art. He became Professor of Engraving at The Royal College of Art in 1913, and this exhibition shows several of his etchings, lovely scenes of long-ago life; seaside folk on a quay, a windmill, a village with churchtower and a man at work.

In the centre is Coming Home, by Tim Southall, showing someone in a lit-up night walking towards a house.

The exhibition is on until May 25, and worth visiting for the variety of works by a number of talented artists.